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Nancy Marie Mithlo
Books
2022 Visualizing Genocide
2020 Making History
2020 Knowing Native Arts
2019 Fraud in Native American Communities
2014 Horace Poolaw
2012 Wicazo Sa Review editor's note
2011 Manifestations: New Native Art Criticism
2009 Our Indian Princess
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Research
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Curatorial
2023 In Context - New Mexico in the Art World
2022 Distant
2018 The People's Home: Winston Street 1974
2016 Emily Arthur: Endangered
2015 Horace Poolaw Photography
2013 Air Land Seed at 516 ARTS
2013 Thicker Than Water
2008 American Indian Curatorial Practice
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In Print
2022 Knowing Native Arts Reviews
2022 Understanding & Teaching NA History
2021 Closer
2020 Citizen of Nowhere
2019 Tarantino's Dead Indians
2018 The Great Hurt
2017 In the Silence of Dusk
2016 Afterword - Lloyd Kiva New
2016 Emily Arthur: Endangered
2014 John Hitchcock
2012 Wicazo Sa Review Article
2009 A Real Feminine Journey
2008 Realist View of Image Politics
2007 What We Do and Do Not Talk About
2013 El Palacio
2013 ICT Lone Ranger
2006 Give, Give, Giving
2006 Review of Joanna Scherer Book
2004 Red Man's Burden
2004 Reappropriating Redskins
2003 Staging the Indian
2002 We Have All Been Colonized
2001 IAIA Rocks the Sixties
1998 Reservation X
1995 History is Dangerous
1993 NMM Dissertation
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Symposia
2022 Art and Indigenous Feminisms
2023 NEA Study
2021 We Have Words for Art
2020 Incredible 25th Year of Mitzi Bearclaw
2019 UCLA Brokering the Sacred
2019 Indigenuity: Curating Materiality
2018 NAISA Roundtable
2018 Visualizing Genocide
2017 The Indigenous Other
2017 Autry Native Voices - Fairly Traceable
2015 Re-Riding History Symposium
2013 Thicker Than Water
2012 Oklahoma Visual Arts Coalition
2012 ISEA
2016 Stolen Lives: Remembering Carlisle Indian Industrial School
2012 O'Keeffe Resident Scholar
2011-2012 SAR Residency
2011 NMAI Film Festival
2011 Brooklyn Museum
2010 NMAI Essentially Indigenous
2009 The Americana Indian
2009 Expanding the Narrative
2007 Corralling Art
2006 Reinventing the Wheel
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Audio/Video
2023 Conversation with Kathryn Russ
2022 Conversation with Liza Black
2022 Seeing American Indians
2022 Owning Hate, Owning Hurt
2022 Autry McKay Seminar Defining Native Art
2022 5 Plain Questions Podcast
2021 UCLA Indigenous Peacemaking
2021 SAIC Talk
2021 Portland Art Museum
2021 Native Arts Scholarship
2020 UCLA Author Interview
2020 U of AR with Clementine Bordeaux
2020 Curator's Choice: Marie Watt and Nancy Marie Mithlo
2020 Art Curators Conference
2020 Book Interview
2019 The Meaning of Silence Podcast
2019 Harry Fonseca
2017 Standing Rock Podcast
2017 Self and Others: Why Not Knowing May be a Good Thing
2016 Richard Ray Whitman
2016 Endangered
2015 Playing Indian
2012 TED Talk
2011-2012 SAR Fellow Presentations
2011 Mother Earth in Crisis
2007 Ode to Harry
1999 Ceremonial
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Commentary
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Venice Biennale
Venice Biennale 2017
Venice Biennale 2015
Venice Biennale 2013
Venice Biennale 2011
Venice Biennale 2009
Venice Biennale 2007
Venice Biennale 2005
Venice Biennale 2003
Venice Biennale 2001
Venice Biennale 1999-2003
Venice Biennale 1999
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Contact
Red Man's Burden: The Politics of Inclusion in Museum Settings
Article in American Indian Quarterly / Summer & Fall 2004
Download the article