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Nancy Marie Mithlo
A/part of this World
Venice Biennale 2017
Venice Biennale 2015
Venice Biennale 2013
Venice Biennale 2011
Venice Biennale 2009
Venice Biennale 2007
Venice Biennale 2005
Venice Biennale 1999-2003
Venice Biennale 2003
Venice Biennale 2001
Venice Biennale 1999
AI Art 101
Seeing Indians
Curatorial
2018 The People's Home: Winston Street 1974
2016 Emily Arthur: Endangered
2015 Horace Poolaw Photography
2013 Air Land Seed at 516 ARTS
2013 Thicker Than Water
In Print
2017 In the Silence of Dusk
2016 Afterword - Lloyd Kiva New
2016 Emily Arthur: Endangered
2014 Horace Poolaw
2013 El Palacio
2013 ICT Lone Ranger
2012 Wicazo Sa Review Article
2012 Wicazo Sa Review editor's note
2011 Manifestations: New Native Art Criticism
2009 A Real Feminine Journey
2009 Our Indian Princess
2008 Realist View of Image Politics
2007 What We Do and Do Not Talk About
2006 Give, Give, Giving
2004 Reappropriating Redskins
2004 Red Man's Burden
2003 Staging the Indian
2002 We Have All Been Colonized
2001 IAIA Rocks the Sixties
1998 Reservation X
1995 History is Dangerous
Review of Joanna Scherer Book
Symposia
2018 NAISA Roundtable
2018 Visualizing Genocide
2017 Autry Native Voices - Fairly Traceable
2016 Stolen Lives: Remembering Carlisle Indian Industrial School
2015 Re-Riding History Symposium
2013 Thicker Than Water
2012 O'Keeffe Resident Scholar
2012 ISEA
2012 Oklahoma Visual Arts Coalition
2011 Brooklyn Museum
2011 NMAI Film Festival
2011-2012 SAR Residency
2010 NMAI Essentially Indigenous
2009 Expanding the Narrative
2009 The Americana Indian
2007 Corralling Art
2006 Reinventing the Wheel
Teaching
Video
2017 Self and Others: Why Not Knowing May be a Good Thing
2017 The Indigenous Other
2016 Endangered
2016 Richard Ray Whitman
2015 Playing Indian
2012 TED Talk
2011-2012 SAR Fellow Presentations
1999 Ceremonial
Venice Biennale 1999-2003
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